The story, which is a literary genre that needs to be approached consciously, is perceived by most people as a series of events that will allow you to have a good time and is just read and left. However, on the contrary, the story embodies very important values and qualities that need to be examined, unraveled, and discovered in depth. So much so that a good story writer is not content with describing some different events in his narrative; Through these, it directly or indirectly refers to different ideas, emotions, social, cultural, philosophical infrastructures, aesthetic values and adds an artistic depth to its narrative. The reader, who approaches the story consciously, tries to notice, understand and enjoy what is told in the story, what is connected. Therefore, narrative studies that aim to raise a conscious reader gain momentum. In particular, new typesetting ways are developed to unravel layered structures in modern and postmodern narratives. Literary theorists such as Philiph Stevick, Jeremy Hawthorn, and Roland Barthes develop various methods of analysis by addressing ever-changing narrative structures. One of the literary theorists who contributed to these changes and developments is Seymour Chatman. With his book Narrative Structure in Film and Fiction, Story and Discourse, he also reveals his own analysis techniques and analyzes changing narrative structures with forms that suit them. In this study, Franz Kafka’s story “Vulture”, which can be described as small, will be analyzed within the framework of Chatman’s narrative diagram.